“Jaigontown” wasn’t just another concert—it was a statement. Jaigon Orchestra proved that Vietnamese bands can stage world-class performances without losing heart. From theatrical sets to singalong chaos, the night was pure connection, marking a new benchmark for local live music.
Saigon’s psychedelic misfits Skeleton Goode return with “Crocodile Wife” — a wild new single and video bursting with color, chaos, and charm. Blending surf rock swagger with surreal humor and hypnotic 3D visuals by Nindito Rizki, the track marks another bold, unhinged chapter in the band’s ever-evolving cosmic journey.
House of Ygra opens the gates once again — this time, to the farthest reaches of the human psyche and the galaxy alike. Eulogy For Our Dying Stars, the long-awaited third opus by Hanoi-based artist Lockeheart, is finally here, marking a decade-long pursuit of artistic vision and emotional catharsis.
CÚT LỘN’s Dzữa captures the band’s full transformation — from chaotic punk pranksters to a dark, disciplined force. Recorded by Bomb and produced by Sọt, the seven-track EP blends unfiltered aggression with precision and weight. From the title track’s feral riffs to the haunting slowdown of Mãn and the emotional depth of Hôm Qua, every moment feels intentional. It’s heavy, raw, and masterfully produced — both polished and dirty in perfect balance. Dzữa cements CÚT LỘN’s evolution into a band that no longer hides behind humor, standing firm among the heaviest and most honest voices in Vietnam’s underground.
Cút Lộn shed their Pikachu past and embrace their final form with Dzữa — a storm of distortion, rage, and strange beauty. Seven new tracks that mark the band’s most visceral and unflinching work yet.
Vietnam’s rising pop-punk outfit 18.18 ignite their debut EP Mười Tám with raw energy and unfiltered emotion. From scrappy riffs to dreamy confessionals, the record captures the imperfect beauty of youth — loud, honest, and impossible not to feel.
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