{"id":7654,"date":"2026-05-13T13:59:37","date_gmt":"2026-05-13T06:59:37","guid":{"rendered":"https:\/\/ethoscollective.live\/?post_type=band-profile-milan&p=7654"},"modified":"2026-05-13T13:59:47","modified_gmt":"2026-05-13T06:59:47","slug":"bot-mau-khoai-tay-ca-rot","status":"publish","type":"band-profile-milan","link":"https:\/\/ethoscollective.live\/vi\/band-profiles\/bot-mau-khoai-tay-ca-rot\/","title":{"rendered":"B\u1ed9t M\u00e0u Khoai T\u00e2y C\u00e0 R\u1ed1t"},"content":{"rendered":"

Saigon’s B\u1ed9t M\u00e0u Khoai T\u00e2y C\u00e0 R\u1ed1t (BMKTCR for short) mixes pop, folk, and rock into deceptively gentle indie songs that turn surprisingly rowdy on stage. With their 2025 EP “Ca Ng\u1ee3i Thi\u00ean Nhi\u00ean V\u00e0 Con Ng\u01b0\u1eddi<\/em>,” the band steps into more contemplative, healing-minded territory while holding tight to the playful identity that’s made them one of Vietnam’s most quietly beloved indie acts.<\/p>\n\n\n\n

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Active since 2021,\u00a0B\u1ed9t M\u00e0u Khoai T\u00e2y C\u00e0 R\u1ed1t<\/strong>\u00a0emerged from Vietnam’s indie underground with a sound <\/span>and a sensibility that resists being filed under any single label. The current “Gen 2” lineup is a five-piece, each member named after a kitchen-staple vegetable, anchored by songwriter and frontman B\u1ed9t M\u00e0u<\/strong> (Nguy\u1ec5n Tr\u1ecdng Nh\u00e2n<\/strong>). Fans tend to describe them, half-affectionately, as “the soft, weird, fun band that turns out not to be all that soft once you catch them live,” a description the band seems happy to live up to.<\/p>\n\n\n\n

Musically, BMKTCR <\/strong>moves freely between pop, folk, and rock, with regular detours into alternative and contemporary textures. A track might open with acoustic guitar and a casually whistled melody, then turn the corner into a keyboard solo or a fuzzy lead break. The band has been open about not wanting to be boxed into any single image, and the catalog reflects that; each release is a slightly different facet, but recognizably from the same hand.<\/p>\n\n\n\n

Their debut single “Ng\u00e0y Ch\u1ee7 Nh\u1eadt (Em \u01a0i L\u00e0m Sao B\u00e2y Gi\u1edd?)<\/em>,” dropped in 2021 and quickly racked up tens of thousands of plays, a soft, guitar-and-whistle sketch of a young woman drifting through a busy Saigon Sunday. The 2023 EP “R\u1ed1c“<\/strong><\/em> followed, and in 2024 they returned with the singles “V\u1eadt Nhau V\u1edbi G\u1ea5u<\/em>” and “\u0110\u00eam V\u1ec1 Ng\u01b0\u1eddi C\u00f3 Nghe Th\u1edf Than<\/em>,” the former a hooky pep talk for the over-stressed: a nudge to “wrestle the bear” of your own anxieties with a bit of playful energy. 2025 brought the band’s most ambitious project yet, the EP “Ca Ng\u1ee3i Thi\u00ean Nhi\u00ean V\u00e0 Con Ng\u01b0\u1eddi”<\/em> (“In Praise of Nature and People”), capped by the “T\u1ee5ng Ca“<\/strong><\/em> music video.<\/p>\n\n\n\n

Live, BMKTCR <\/strong>have become a fixture across Saigon and beyond, with a knack for self-promoted shows that consistently pull crowds of 50\u2013200, sizeable numbers for the indie circuit. They’ve appeared on the INQ International Singer-Songwriter series<\/strong>, l\u00e0 LiveSpace Vietnam<\/strong> program co-run by Institut Fran\u00e7ais<\/strong> and the Monsoon Music Festival<\/strong>, v\u00e0 Vietnam Music Week<\/strong>, alongside scene anchors like the C\u1ed5 \u0110\u1ed9ng<\/em> anniversary.<\/p>\n\n\n\n

Independent in the truest sense of the word,\u00a0BMKTCR\u00a0<\/strong>wri<\/span>tes, records, and ships most of their material themselves, homemade in the most literal sense. With a steadily widening sound and no obvious interest in smoothing out their edges or their humor, they remain one of Saigon’s most genuinely likable, genuinely unpredictable indie acts.<\/p>\n\n\n\n

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Saigon’s B\u1ed9t M\u00e0u Khoai T\u00e2y C\u00e0 R\u1ed1t mixes pop, folk, and rock into deceptively gentle indie songs that turn surprisingly rowdy on stage. With their 2025 EP “Ca Ng\u1ee3i Thi\u00ean Nhi\u00ean V\u00e0 Con Ng\u01b0\u1eddi,” the five-piece steps into more contemplative, healing-minded territory while keeping their playful identity intact.<\/p>","protected":false},"author":1,"featured_media":7657,"template":"","meta":{"_acf_changed":true,"_daextam_enable_autolinks":"1"},"tags":[],"featured":[],"genre":[108,83],"class_list":["post-7654","band-profile-milan","type-band-profile-milan","status-publish","has-post-thumbnail","hentry","genre-alternative-rock","genre-indie"],"acf":[],"_links":{"self":[{"href":"https:\/\/ethoscollective.live\/vi\/wp-json\/wp\/v2\/band-profile-milan\/7654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ethoscollective.live\/vi\/wp-json\/wp\/v2\/band-profile-milan"}],"about":[{"href":"https:\/\/ethoscollective.live\/vi\/wp-json\/wp\/v2\/types\/band-profile-milan"}],"author":[{"embeddable":true,"href":"https:\/\/ethoscollective.live\/vi\/wp-json\/wp\/v2\/users\/1"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ethoscollective.live\/vi\/wp-json\/wp\/v2\/media\/7657"}],"wp:attachment":[{"href":"https:\/\/ethoscollective.live\/vi\/wp-json\/wp\/v2\/media?parent=7654"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ethoscollective.live\/vi\/wp-json\/wp\/v2\/tags?post=7654"},{"taxonomy":"featured","embeddable":true,"href":"https:\/\/ethoscollective.live\/vi\/wp-json\/wp\/v2\/featured?post=7654"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/ethoscollective.live\/vi\/wp-json\/wp\/v2\/genre?post=7654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}