Built on groove rather than rush, the night unfolded as one shared movement. irihi surprised, Skeleton Goode energized, and Little Barrie & Malcolm Catto pulled everything into deep focus. A show led by timing, feel, and collective flow.
Guided by groove and rhythm, the crowd moved as one—from irihi’s calm build, through Skeleton Goode’s push, to the deep, steady pull of Little Barrie & Malcolm Catto.
Jaigon Orchestra welcome the Lunar New Year with “Rock Thần Tài,” a joyful ska anthem built on communal choruses, festive imagery, and cultural unity. Loud, playful, and heartfelt, it’s a soundtrack for going home, sharing blessings, and celebrating together.
In a night of chaotic brilliance, Skeleton Goode and Oh! Dirty Fingers tore through a packed venue with psychedelic swagger and punk fury. From sweat-drenched grooves to sonic meltdowns, the crowd was wrecked, elated, and begging for more. A show that felt more like a glorious demolition.
ÂM TRÌ unfolded as a study in shared heaviness. Three bands, three distinct sounds, all bound by emotional weight rather than genre. Tucked away in Kobe Town, the night moved patiently, proving that honest music and attentive rooms still find each other.
A gentle, emotionally layered Sunday, Báo Thức Show moved from intimacy to release with quiet confidence. Each act added its own texture, creating a cohesive night rooted in sincerity, shared energy, and moments that lingered well beyond the final note.
A night where sound fractured and reassembled in real time, from Thangca’s emotive Vietnamese rock roots, through The Broken Flowers’ relentless energy, into Phạm Thế Vũ’s immersive noise, and finally Ryosuke Kiyasu’s primal percussion ritual. A reminder that some music only truly exists live.
From fractured grunge to trembling snare rolls, the Christmas Eve edition at Kobe Town was anything but ordinary. Four acts: Thangca, The Broken Flowers (Taiwan), Phạm Thế Vũ, and Ryosuke Kiyasu (Japan), took the stage one after another, blurring genre lines and expectations alike.
irihi reads like a fragmented diary of youth, blending J-punk and J-rock emo with sharp math-rock edges. Across five tracks, it moves through escape, waiting, separation, and uneasy forgiveness, before an acoustic closer leaves everything unresolved. Honest, disciplined, and quietly hopeful, this EP charts growth without forcing closure or pretension.
Neon White’s debut single “Nothing in Return” marks a long-awaited first statement from the Saigon emo alt-rock band. Built on atmosphere, restraint, and emotional fatigue, the track opens the door to an upcoming EP shaped by patience and quiet intensity.
